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The Big 4’s 20 Essential Metal Hits Unveiled

by Barbara
Metallica

The Big 4 of thrash metalMetallica, Slayer, Megadeth, and Anthrax—redefined heavy music during the 1980s and beyond. Their innovative riffs, aggressive tempos, and powerful lyrics laid the foundation for thrash metal and influenced countless bands. Each of these iconic groups has delivered a rich catalog of hits that stand the test of time. In this article, we will explore some of the most significant songs from these titans of metal, showcasing their enduring impact and unparalleled artistry.

The Big 4’s 20 Essential Metal Hits Unveiled

Metallica: Masters of Metal

1. “Master of Puppets” (1986)

“Master of Puppets” is a cornerstone of Metallica’s legacy and a thrash metal masterpiece. The title track of their third album, it features complex riffs, intricate solos, and dynamic changes. The song explores themes of addiction and control, with James Hetfield’s lyrics painting a dark and vivid picture. Its eight-and-a-half-minute runtime is filled with relentless energy and dramatic shifts, making it a quintessential Metallica track and a fan favorite.

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2. “One” (1988)

“One” is a haunting and intense song from …And Justice for All. The track begins with a somber melody before building into a crushing thrash explosion. Inspired by the novel Johnny Got His Gun, the song tells the story of a soldier trapped in his own body after a war injury. The intricate guitar solos by Kirk Hammett and the machine-gun-like drumming of Lars Ulrich are unforgettable, cementing “One” as one of Metallica’s most profound and impactful works.

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3. “Enter Sandman” (1991)

“Enter Sandman” propelled Metallica to global stardom with its iconic riff and accessible yet heavy sound. The opening track from their self-titled album, it blends eerie lyrics about nightmares with a thunderous groove. Hetfield’s menacing vocals and Hammett’s blistering solos make this track an anthem for metal fans and a gateway song for newcomers. Its massive commercial success marked a turning point in Metallica’s career.

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4. “Seek & Destroy” (1983)

From their debut album, Kill ‘Em All, “Seek & Destroy” is a raw, energetic anthem that exemplifies Metallica’s early thrash sound. With its catchy riff and aggressive lyrics about hunting down enemies, the song became a staple in their live performances. The rawness of Hetfield’s vocals and the unpolished intensity of the instrumentation reflect the band’s hunger and ambition during their formative years.

5. “Fade to Black” (1984)

“Fade to Black” from Ride the Lightning is Metallica’s first foray into ballad-like territory. The song’s soft acoustic intro transitions into powerful riffs and emotional solos. Lyrically, it deals with themes of despair and contemplation, resonating deeply with fans. This track showcases Metallica’s ability to balance melody and heaviness, proving that thrash metal could also be deeply emotional.

Slayer: The Kings of Chaos

6. “Raining Blood” (1986)

“Raining Blood” is one of Slayer’s most iconic tracks and a defining moment for thrash metal. From the album Reign in Blood, it features blistering riffs, frenetic drumming by Dave Lombardo, and Tom Araya’s ferocious vocals. The song’s sinister themes and relentless pace create an atmosphere of pure chaos. Its climactic breakdown is one of the most famous moments in metal history, cementing Slayer’s status as thrash metal pioneers.

7. “Angel of Death” (1986)

Opening Reign in Blood, “Angel of Death” is a controversial but musically groundbreaking track. Jeff Hanneman’s shredding riffs and Lombardo’s thunderous double bass drumming set the stage for one of Slayer’s heaviest songs. The lyrics explore the atrocities of Josef Mengele, a chilling subject delivered with Araya’s piercing screams. Despite its controversy, the song remains a thrash metal benchmark.

8. “South of Heaven” (1988)

The title track of Slayer’s South of Heaven album marked a shift toward a slower, more atmospheric style. The haunting riff and Araya’s measured vocal delivery create an ominous mood. The song’s themes of corruption and moral decay showcase Slayer’s ability to address dark societal issues while maintaining their trademark heaviness. Its slower tempo distinguishes it from the band’s faster tracks, demonstrating their versatility.

9. “War Ensemble” (1990)

“War Ensemble” from Seasons in the Abyss is an aggressive and fast-paced track that exemplifies Slayer’s war-themed lyricism. The song’s galloping riffs, blistering solos, and rapid-fire drumming create an unrelenting sonic assault. Araya’s commanding vocals deliver a vivid portrayal of the brutality of war, making it one of the band’s most powerful songs. Its energy and technicality have made it a fan favorite.

10. “Dead Skin Mask” (1990)

Inspired by the crimes of Ed Gein, “Dead Skin Mask” from Seasons in the Abyss is a chilling and atmospheric track. The eerie guitar melodies and Araya’s haunting vocals create a sense of dread, while the slow, deliberate pace adds to the tension. The song’s disturbing themes are paired with a hypnotic groove, showcasing Slayer’s ability to blend horror and heaviness.

Megadeth: Technical Thrash Titans

11. “Holy Wars… The Punishment Due” (1990)

“Holy Wars… The Punishment Due” is a technical masterpiece from Megadeth’s Rust in Peace. The song is divided into two parts: the first addressing political and religious conflicts, and the second delving into vengeance and retribution. Dave Mustaine’s intricate riffs and Marty Friedman’s dazzling solos are highlights, showcasing the band’s technical prowess. Its complex structure and thought-provoking lyrics make it one of Megadeth’s most celebrated tracks.

12. “Symphony of Destruction” (1992)

From Countdown to Extinction, “Symphony of Destruction” is one of Megadeth’s most accessible and iconic songs. The track’s memorable riff and Mustaine’s snarling vocals create a powerful anthem about political manipulation and corruption. Its mid-tempo groove and sing-along chorus have made it a staple of Megadeth’s live shows and a favorite among fans.

13. “Peace Sells” (1986)

“Peace Sells” is an anthem for disenchanted youth from the album Peace Sells… but Who’s Buying?. The song’s groovy bass intro, courtesy of David Ellefson, is instantly recognizable. Mustaine’s sharp lyrics address themes of hypocrisy and societal disillusionment. The track’s blend of melody and aggression showcases Megadeth’s ability to balance complexity with catchiness.

14. “Tornado of Souls” (1990)

“Tornado of Souls” from Rust in Peace is a technical and emotional tour de force. Friedman’s jaw-dropping solo is widely regarded as one of the greatest in metal history. The song’s intricate riffs and Mustaine’s heartfelt lyrics about personal struggles add depth, making it a standout track. Its combination of virtuosity and emotional resonance exemplifies Megadeth’s artistry.

15. “In My Darkest Hour” (1988)

“In My Darkest Hour” from So Far, So Good… So What! is a deeply personal song written by Mustaine after the death of Metallica bassist Cliff Burton. The track combines somber verses with heavy, explosive choruses, reflecting grief and anger. Its raw emotion and powerful instrumentation have made it a fan favorite and a poignant moment in Megadeth’s discography.

Anthrax: Thrash Meets Fun and Fury

16. “Caught in a Mosh” (1987)

From Among the Living, “Caught in a Mosh” is an energetic and fun track that captures the chaos of live thrash metal shows. Its fast-paced riffing, pounding drums, and Joey Belladonna’s dynamic vocals make it an anthem for mosh pits. The song’s tongue-in-cheek lyrics add a sense of humor, showcasing Anthrax’s unique personality within the Big 4.

17. “Indians” (1987)

“Indians” is a socially conscious track from Among the Living that addresses the mistreatment of Native Americans. The song’s powerful riffs and Belladonna’s soaring vocals create an anthem-like quality. Its memorable “war dance” section is a highlight, encouraging crowd participation during live performances. The track balances serious themes with Anthrax’s trademark energy and intensity.

18. “Madhouse” (1985)

“Madhouse” from Spreading the Disease is a high-energy track with a catchy chorus and blistering riffs. The song’s lyrics describe feelings of confinement and chaos, themes delivered with Belladonna’s theatrical vocal style. Its infectious energy and accessibility have made it one of Anthrax’s most popular songs, appealing to both thrash metal purists and casual listeners.

19. “I Am the Law” (1987)

Inspired by the comic book character Judge Dredd, “I Am the Law” is a heavy, groove-laden track from Among the Living. The song’s lyrics celebrate the anti-hero’s sense of justice, while the powerful riffs and dynamic shifts create a cinematic feel. Anthrax’s love of pop culture is evident here, making it a unique and memorable entry in their catalog.

20. “Antisocial” (1988)

A cover of the French band Trust’s song, “Antisocial” became an Anthrax anthem. From State of Euphoria, the track features hard-hitting riffs and Belladonna’s charismatic vocals. Its rebellious lyrics and driving energy resonate with fans, making it a staple of their live performances. Anthrax’s version adds thrash metal intensity, giving the song a new identity.

See Also: 10 Awesome Metal Duets of All Time

Conclusion

The Big 4—Metallica, Slayer, Megadeth, and Anthrax—have collectively shaped the sound and ethos of thrash metal. Their songs range from socially conscious anthems to raw, aggressive tracks that capture the chaos of life. Each band brings something unique to the genre, ensuring that their legacies endure. Whether you’re a lifelong fan or a newcomer, these essential tracks offer a glimpse into the brilliance of the Big 4. Their music remains as powerful and relevant today as it was when they first burst onto the scene, solidifying their place in metal history.

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